Heuristic resource of nomination in the Russian language (based on poetic text)

Introduction. The question of the methods of nomination in the Russian language remains relevant primarily in terms of determining the list of units involved in solving the problems of the author's designation of denotates that form a poetic picture of the world. This study is based on the analysis of texts of Russian poetry of the XIX – XX centuries.

Materials and Methods. In the analysis of the poetic material, both traditional methods were used, such as structural-functional, and the provisions of the author’s methodology developed in the theory of nomination-syntactic semiosis of figurative syntactic units of a literary text.

Analysis. Derivatives of nomination-syntactic semiosis are considered poetic nomination in the text are considered as the most striking ways of aesthetic transformation of the author's expression. The heuristic resource of expressive naming is most clearly manifested in the use of poetic figurative means. It is suggested that the origins of poetic heuristics go back to Pushkin's "strong" text, the poetics of which is permeated with aesthetic synergy born of the collaboration of the master and the Creator. The nomination-syntactic method of attribution in the conditions of "compression of the verse series" forms a special language of description, indicating the transformation of the poetic sign: "expresseme → heuristeme". It is assumed that this reveals the heuristic-aesthetic energetic impulse of the author, manifested both at the dictionary and syntactic levels of the poetic text.

Results. Based on the results of the study, we can conclude that the nomination-syntactic semiosis contributes to the discovery of the depth of the internal form of the figurative name, reaching "unheard-of simplicity" in poetry (B.L. Pasternak), and the synergy of syntactic nomination in the Russian poetic text expresses the communicative-aesthetic ideal of the Slavic linguistic consciousness.

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