Preview

Humanities and law research

Advanced search

FIELD MODELING OF THE SYSTEM-FORMING CONCEPT «VERBRECHEN» AS A REFLECTION OF THE STRUCTURE OF MASS CONSCIOUSNESS OF MODERN SOCIETY (BASED ON GERMAN POLICE NOVEL)

https://doi.org/10.37493/2409-1030.2021.2.22

Abstract

This article studies the detective text as an important component of mass literature, reflecting stable models of mass consciousness. The article considers the characteristic features of mass culture society, which form the image of modern recipient and influence the character of the texts of modern culture. The detective is studied as a text space that implements the message of mass culture society, with an emphasis on German detective literature and its specific features. The scientific novelty of this work lies in the field modeling of the basic concept for a police detective «VERBRECHEN» («CRIME») taking into account the factors of influence on the recipient, in identifying the linguistic and cognitive features of its representation on the material of the popular German detective «Die Lebenden und die Toten» (2014), written by Nele Neuhaus. Illustrative examples show that the nuclear zone of the concept «VERBRECHEN» consists of semantically related categories of the act itself: Kapitalverbrechen, Mord, Mordfall, Straftat, Totschlag, Tötungsdelikt, Tötung, menschliche Verfehlung, supplemented by the criminal designations: Verbrecher, Mörder, Täter. The peripheral layers of this concept are implemented in such local concepts as «Schuld» (guilt), «Eitelkeit» (vanity), «Unsittlichkeit» (immorality), «Rache» (revenge), the emotive components of the concept «VERBRECHEN» «Angst» (fear), «Zorn» (anger), «Schmerz» (pain). The concept «ERMITTLUNG» (investigation) is connected with the backbone concept «VERBRECHEN» in a meaningful and procedural way, the semantic content of which is characterized in the author’s evaluative understanding both different aspects of the crime and the personality of the criminal. 

About the Author

A. V. Ralovets
North-Caucasus Federal University
Russian Federation

postgraduate student, Chair of Translation Studies, Institute of Humanities, 

Stavropol



References

1. Georginova N. Yu. Detektivnyi zhanr: prichiny populyarnosti (Detective genre: reasons for popularity) // Nauchnyi dialog: Filologiya (Scientific dialogue: Philology). 2013. No. 5 (17). P.173–186. (In Russian).

2. Kavelti Dzh. G. Izuchenie literaturnykh formul (Study of literary formulas) translated from English by E.M. Lazareva // Novoe literaturnoe obozrenie. 1996. No. 22. Moscow: New Literary Observer publ., P. 33–64. (In Russian).

3. Kravtsova A. V. Funktsional’naya spetsifika sravneniya v nemetskom detektivnom tekste (Functional specificity of comparison in the German detective text) // Materialy Mezhdunarodnogo molodezhnogo nauchnogo foruma «LOMONOSOV-2020» (Materials of the International Scientific Youth Forum «Lomonosov-2020») URL: https://lomonosovmsu.ru/archive/Lomonosov_2020/index.htm (Accessed: 12.03.2021). (In Russian).

4. Kuznetsova N. Yu. Struktura kontsepta «Verbrechen» (prestuplenie) v nemetskoi paremiologicheskoi kartine mira (The structure of the concept «Verbrechen» (crime) in the German paremiological picture of the world)// Professional’nyi proekt: idei – tekhnologii – rezul’taty (Professional project: ideas - technologies – results). Vol. 4 (25). Moscow – Chelyabinsk, 2016. P. 95–101. (In Russian).

5. Mamonova N. V. K voprosu ob opredelenii terminov «sistemoobrazuyushchii kontsept» i «lokal’nyi kontsept» pri issledovanii fraktal’noi samoorganizatsii diskursa (On the question of the definition of the terms «system-forming concept» and «local concept» in the study of fractal self-organization of discourse) // Kognitivnye issledovaniya yazyka. Vyp. XX: ot kognitivnoi lingvistiki k kognitivnomu terminovedeniyu. Moscow: The Institute of Linguistics of the Russian Academy of Sciences; Tambov: Publishing House of TSU named after G.R. Derzhavin publ., 2015. P. 124-130. (In Russian).

6. Miller L. V. Kontsept kak smyslovaya i esteticheskaya kategoriya (Concept as a semantic and aesthetic category) // Mir russkogo slova. Moscow: Vysshaya shkola, 2000. P. 39–45. (In Russian).

7. Oleshkov M.Yu. Lingvokontseptual’nyi analiz diskursa (teoreticheskii aspekt) (Linguoconceptual analysis of discourse (theoretical aspect) // Diskurs, kontsept, zhanr: kollektivnaya monografiya. (Discourse, concept, genre: a collective monograph). Nizhny Tagil: State Social Pedagogical Institute publ., 2009. P. 68–85. (In Russian).

8. Popova Z. D., Sternin I. A. Ocherki po kognitivnoi lingvistike (Essays on cognitive linguistics). Voronezh: Istoki, 2001. 191 p. (In Russian).

9. Radzikhovskaya V. K. Funktsional’no-semanticheskaya kategoriya vzaimnosti v sovremennom russkom yazyke: slozhnaya sistema, ee svoistva, printsipy izucheniya (Functional-semantic category of reciprocity in modern Russian: a complex system, its properties, principles of study). Moscow: MPSU publ., 2005. 136 p. (In Russian).

10. Serebriakova S. V. Kontseptual’naya znachimost’ zaglaviya v perevodcheskom aspekte (The conceptual significance of the title in the translation aspect) // Yazyk. Tekst. Diskurs. No. 6. Stavropol: Publishing House of Stavropol State University publ., 2008. P. 240–245. (In Russian).

11. Serebriakova S. V. Kognitivnyi dissonans kak interpretatsionnaya ramka mezhlichnostnykh otnoshenii personazhei (Cognitive dissonance as an interpretative framework of interpersonal relationships of characters) // Voprosy kognitivnoi lingvistiki. No. 1 (54). Tambov: Russian organization of cognitive linguists publ., 2018. P. 137-143. (In Russian).

12. Serebriakova S. V., Kravtsova A. V. Zhanrovo-tematicheskie i pragmaticheskie osobennosti rasskazov detektivnogo zhanra (Genre-thematic and pragmatic features of detective stories) // Aktual’nye problemy filologii i pedagogicheskoi lingvistiki. No. 1. Vladikavkaz: Khetagurov North Ossetian State University, publ. 2019. P. 164–170. (InRussian).

13. Stepanov Yu. S. Konstanty. Slovar’ russkoi kul’tury (Constants. Dictionary of Russian culture). Moscow: Yazyki russkoi kul’tury, 1997. 824 p. (In Russian).

14. Tikhonova O. Sovremennyi nemetskii detektiv v kontekste inonatsional’nykh modelei (Modern German detective in the context of foreign models) // Baltiiskii filologicheskii kur’er. No. 7. Kaliningrad: Federal Autonomous Educational Institution of Higher Education «Immanuel Kant Baltic Federal University» publ., 2009. P. 226-236. (In Russian).

15. Chernyak M. A. Massovaya literatura (Popular literature of the XX century). Moscow: FLINTA, 2013. 432 p. (In Russian).

16. Chernyak M. A. Massovaya literatura kontsa XX – nachala XIX veka: tekhnologiya ili poetika? (Mass literature of the late XX-early XIX century: technology or poetics?) // Filologicheskii klass. Ekaterinburg: Ural Federal University publ., 2008. P. 4–11. (In Russian).

17. Cawelti J. G. Adventure, mystery and romance: Formula stories as art and popular culture. Chicago, 1976. P. 5–36.

18. Duden Online-Wörterbuch (Duden online dictionary) [electronic resource]. URL: https://www.duden.de/rechtschreibung/ Verbrechen (Accessed: 15.02.2018).

19. Düwell S., Bartl A., Hamann C., Ruf O. Handbuch Kriminalliteratur. (Handbook of crime literature) Stuttgart: J. B. Metzler, 2018. 422 P.

20. Neuhaus N. Die Lebenden und die Toten (The living and the dead). Berlin: Ullstein, 2014. 354 p.


Review

For citations:


Ralovets A.V. FIELD MODELING OF THE SYSTEM-FORMING CONCEPT «VERBRECHEN» AS A REFLECTION OF THE STRUCTURE OF MASS CONSCIOUSNESS OF MODERN SOCIETY (BASED ON GERMAN POLICE NOVEL). Humanities and law research. 2021;(2):160-168. (In Russ.) https://doi.org/10.37493/2409-1030.2021.2.22

Views: 120


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2409-1030 (Print)