Cultural recycling of the Soviet in internet memes: semiotic linguistic interpretation
https://doi.org/10.37493/2409-1030.2022.3.17
Abstract
The article studies linguo-semiotic features of Soviet cultural recycling in Internet memes. Cultural recycling chosen as the conceptual framework of the study fosters the analysis of functional meanings acquired by symbolic and precedent elements of the Soviet past in terms of cultural processing in the modern discourse space. The interdisciplinary nature of the subject preconditions the use of elements of a systemic functional multimodal analysis of semiotically complicated texts, structural-semantic and discourse methods of analysis. Internet memes, which serve as integrative polycode semiotic unities, are characterized by immanent openness both at the informative-semantic and pragmatic levels. Any of the codes used could potentially incorporate reminiscences of the Soviet era. The main criterion for the selection of practical research material was the presence of the semantic component “related to the USSR, Soviet” in the precedent element actualized verbally or non-verbally in an Internet meme. The analysis of cultural recycling of the cultural and historical heritage of the Soviet era and its use in Internet memes revealed several spheres / form elements / objects that have the highest frequency of actualization: 1) fonts, inscriptions, posters; 2) artifacts of music legacy; 3) gluttony precedents (“the taste of childhood”); 4) movies and cartoons; 5) everyday life artifacts. Each of the categories is specified in terms of the range of verbal / non-verbal precedent elements used, structural and semantic features of polymodal units, typical semantic construction models, new functional meanings and the pragmatic potential of use (both in certain contexts and generally as regards the memetic complexes) . It is concluded that along with nostalgic motifs, the recycling of the Soviet past in Internet memes is characterized by prospective trends in the development of functional meanings and actualization in the construction of modern discourse practices.
About the Author
T. V. MarchenkoRussian Federation
Tatiana V. Marchenko, PhD in Philology, Associate professor
Institute of Humanities
Сhair of translation studies
355017
1, Pushkin st.
Stavropol
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Review
For citations:
Marchenko T.V. Cultural recycling of the Soviet in internet memes: semiotic linguistic interpretation. Humanities and law research. 2022;9(3):505-518. (In Russ.) https://doi.org/10.37493/2409-1030.2022.3.17